Canon CN-E 30-105mm T2.8 L S Telephoto Cinema Zoom Lens with EF Mount
- Engineered for 4K Resolution Cameras
- Covers APS-C & Super 35 Sensor Sizes
- 11 Blade Iris for Attractive Bokeh
- f/2.8 Aperture for Low Lit Scenes
- 300° Rotation For Focus
- Weighs Only 4.8 lb.
- Reduced M.O.D. of 23.6"
The Canon CN-E 30-105mm T2.8 L SP Telephoto Cinema Zoom Lens with PL Mount joins the ranks of other Canon Cinema lenses that are engineered to serve the high-performance demands of the production community. Designed to work with 4K-resolution (4096 x 2160 pixels) cameras this PL mount lens surpasses the performance requirements of any HD imaging system. The CN-E 30-105mm T2.8 L SP Telephoto Cinema Zoom Lens with PL Mount also offers compatibility with industry-standard Super 35mm-equivalent image format as well as APS-C-size sensors. Plus the versatility of the PL mount version provides greater flexibility for a production, because it allows the production to choose from several different motion picture cameras instead of being relegated to just one camera; options are always better.
Original: $10,918.00
-65%$10,918.00
$3,821.30Product Information
Product Information
Shipping & Returns
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Description
- Engineered for 4K Resolution Cameras
- Covers APS-C & Super 35 Sensor Sizes
- 11 Blade Iris for Attractive Bokeh
- f/2.8 Aperture for Low Lit Scenes
- 300° Rotation For Focus
- Weighs Only 4.8 lb.
- Reduced M.O.D. of 23.6"
The Canon CN-E 30-105mm T2.8 L SP Telephoto Cinema Zoom Lens with PL Mount joins the ranks of other Canon Cinema lenses that are engineered to serve the high-performance demands of the production community. Designed to work with 4K-resolution (4096 x 2160 pixels) cameras this PL mount lens surpasses the performance requirements of any HD imaging system. The CN-E 30-105mm T2.8 L SP Telephoto Cinema Zoom Lens with PL Mount also offers compatibility with industry-standard Super 35mm-equivalent image format as well as APS-C-size sensors. Plus the versatility of the PL mount version provides greater flexibility for a production, because it allows the production to choose from several different motion picture cameras instead of being relegated to just one camera; options are always better.
